Young Romantics

Ep. 30 Why should we read Shelley, Keats or the Romantics in 2023? Fiona Sampson Part 2

In the second part of our conversation with Fiona Sampson, who chaired 2022's Keats-Shelley and Young Romantics Prizes, we discuss the joys and the challenges of reading Shelley, Keats and the Romantics in general in 2023.

Ep. 27 Fiona Sampson reads and discusses Shelley’s Hymn to Intellectual Beauty (Part 1)

Our guest on this episode of the Keats-Shelley Podcast is the poet, biographer and critic Fiona Sampson - who is also Chair of 2022's Keats-Shelley and Young Romantics Prizes. 
Read 2022's Keats-Shelley Prize shortlists
Read 2022's Young Romantics Prize shortlists
Our conversation begins with Fiona reading her favourite Shelley poem, Hymn to Intellectual Beauty - which inspired the title of Fiona's new book, Starlight Wood. This forms the basis of our discussion, which roams freely to ponder issues including: the importance of reading aloud; what is 'Intellectual Beauty'; and what does it mean for an atheist like Shelley to write a hymn? Fiona Sampson the poet unravels the sound patterns of Shelley's verse and compares the 'Hymn' to its sister-poem, Mont Blanc. Fiona Sampson the biographer tells the story of the poem's composition and the infamous summer without a summer of 1816, which also inspired Mary Shelley to begin Frankenstein. 
Part 2 of the conversation will follow.
Read more about Fiona Sampson here.
Buy a copy of Starlight Wood here.

Ep 26 Percy Bysshe Shelley’s Hymn to Intellectual Beauty read by Fiona Sampson

To mark the bicentenary of Percy Bysshe Shelley's death on 8th July 1822, Fiona Sampson reads her favourite Shelley poem: Hymn to Intellectual Beauty. 
Read Hymn to Intellectual Beauty here.
Fiona is an acclaimed poet, biographer of Mary Shelley and, last but not least, Chair of 2022's Keats-Shelley Prize.
Read more about Fiona Sampson at the Keats-Shelley Prize page.
A phrase from Hymn to Intellectual Beauty inspired the title of Fiona's new book, Starlight Wood, which follows in the footsteps of several Romantic artists, writers and poets (including Shelley) across the 19th century countryside.
Find out more about Fiona Sampson's Starlight Wood.
We will post Fiona's discussion of the poem in the coming weeks.

Ep. 24. Shelley’s Adonais read by Mick Jagger (Sheats-Kelly remix)

2022's Keats-Shelley and Young Romantics Prizes are open. Our poetry theme this year is Elegy - to mark the bicentenary of Percy Bysshe Shelley's death in 1822, and also the composition of Adonais, his elegy for John Keats, the year before. 
To mark the launch of the Prizes, we remixed Mick Jagger's recitation of Adonais at Hyde Park in 1969 with our own lovely podcast theme music: ‘Androids Always Escape’ by Chris Zabriskie. Visit http://chriszabriskie.com/ Most of the effects are attained from looping or sampling. Jagger's own voice. We hope he - and more to the point Shelley - approves. 
Listen here or watch our trailer for the Prizes at either of the Prize pages on our website.
Young Romantics Prize 2022
Keats-Shelley Prize 2022 
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Learn more about the Keats-Shelley House and our KeatsShelley200 Bicentenary programme.
 

Ep. 22 Winner of 2021’s Young Romantics Poetry Prize: ‘A Craftsman‘s Tale‘ by Eustacia Feng (read by Will Kemp)

The winning poem of 2021's Young Romantics Poetry Prize is 'A Craftsman's Tale' by Eustacia Feng, read here by our Poetry Judge Will Kemp. 
Click here for more about Eustacia and 2021's Young Romantics Prize.

Ep. 20 Mark Wallinger: Why I Love John Keats - Art, Epitaphs and Magna Carta

We talk to Turner Prize-winning artist Mark Wallinger about his life and career - and more specifically, his love of John Keats. The inspiration for our conversation was Mark’s monumental 2018 work Writ in Water, which commemorated the 800th anniversary of the Magna Carta.

Ep. 19 John Keats and Rome’s Protestant Cemetery. A conversation with Nicholas Stanley-Price

In this episode of our 'Writ in Water' series, the Keats-Shelley Prize Podcast talks to Nicholas Stanley-Price about the 300-year history of the Non-Catholic Cemetery in Rome.

Ep. 18 How did John Keats influence Christina Rossetti and the Pre-Raphaelites? A Conversation with Dinah Roe

How did John Keats influence Christina Rossetti and the Pre-Raphaelites? In this episode of our Writ in Water series inspired by John Keats’ epitaph – ‘Here lies one whose name was writ in water’ – we talk to Dr Dinah Roe about Christina Rossetti, her sonnet 'On Keats' - and more widely about how Keats influenced the Pre-Raphaelite artists. This includes her brothers, Dante Gabriel and William Michael, fighting over who was better - Keats or Shelley?

Ep. 17 Dante Gabriel Rossetti’s sonnet for John Keats read and discussed by Dinah Roe

In this mini Keats-Shelley Prize Podcast, Dr Dinah Roe reads and discusses two poems by Dante Gabriel Rossetti that quote John Keats' epitaph 'Here lies one whose name was writ in water'. The first was also a sonnet ('John Keats'); the second a fragment included in a letter to the other Rossetti brother, William Michael.

Ep. 16 Readings: This Living Hand and Where be ye going, you Devon maid by John Keats

On 23rd February 2021, the 200th anniversary of John Keats' death in Rome, the Keats-Shelley Prize Podcast recorded a conversation with Dr Dinah Roe about Christina Rossetti's sonnet 'On Keats', which quotes his epitaph 'Here lies one whose name was writ in water'.

Ep. 15 Writ in water, lemon juice or invisible ink? Adam Smyth examines John Keats‘ epitaph as material text.

What does it mean to writ(e) in water? And even more, what does it mean to write 'writ in water' on stone? Or is that in stone? These are all questions raised by John Keats' epitaph, 'Here lies one whose name was writ in water'. Which is why the Keats-Shelley Podcast called Adam Smyth, Professor of English Literature at Balliol College, Oxford, and an expert in Material Texts: or the study of people writing with weird things on weird surfaces.

Ep. 9 Winner of 2020‘s Young Romantics Poetry Prize: Senbazuru by Joyce Chen (read by Dinah Roe)

Joyce Chen's Senbazuru won 2020's Young Romantic Poetry Prize.
The poem was read by Dinah Roe, Reader in 19th Century Literature at Oxford Brookes University, as part of our online awards ceremony.