Analysis

Ep 30. Why should we read Shelley, Keats or the Romantics in 2023? Fiona Sampson Part 2

In the second part of our conversation with Fiona Sampson, who chaired 2022's Keats-Shelley and Young Romantics Prizes, we discuss the joys and the challenges of reading Shelley, Keats and the Romantics in general in 2023. 
Read 2022's Keats-Shelley Prize shortlists
Read 2022's Young Romantics Prize shortlists
Fiona also continues her discussion of her favourite Shelley poem Hymn to Intellectual Beauty and how it inspired her new book, Starlight Wood. She ends by revisiting her highly-praised biography of Mary Shelley. 
Read more about Fiona Sampson here.
Buy a copy of Starlight Wood here.

Ep 27. Fiona Sampson reads and discusses Shelley’s Hymn to Intellectual Beauty (Part 1)

Our guest on this episode of the Keats-Shelley Podcast is the poet, biographer and critic Fiona Sampson - who is also Chair of 2022's Keats-Shelley and Young Romantics Prizes. 
Read 2022's Keats-Shelley Prize shortlists
Read 2022's Young Romantics Prize shortlists
Our conversation begins with Fiona reading her favourite Shelley poem, Hymn to Intellectual Beauty - which inspired the title of Fiona's new book, Starlight Wood. This forms the basis of our discussion, which roams freely to ponder issues including: the importance of reading aloud; what is 'Intellectual Beauty'; and what does it mean for an atheist like Shelley to write a hymn? Fiona Sampson the poet unravels the sound patterns of Shelley's verse and compares the 'Hymn' to its sister-poem, Mont Blanc. Fiona Sampson the biographer tells the story of the poem's composition and the infamous summer without a summer of 1816, which also inspired Mary Shelley to begin Frankenstein. 
Part 2 of the conversation will follow.
Read more about Fiona Sampson here.
Buy a copy of Starlight Wood here.

Ep. 17 Dante Gabriel Rossetti’s sonnet for John Keats read and discussed by Dinah Roe

In this mini Keats-Shelley Prize Podcast, Dr Dinah Roe reads and discusses two poems by Dante Gabriel Rossetti that quote John Keats' epitaph 'Here lies one whose name was writ in water'. The first was also a sonnet ('John Keats'); the second a fragment included in a letter to the other Rossetti brother, William Michael.

Ep. 15 Writ in water, lemon juice or invisible ink? Adam Smyth examines John Keats‘ epitaph as material text.

What does it mean to writ(e) in water? And even more, what does it mean to write 'writ in water' on stone? Or is that in stone? These are all questions raised by John Keats' epitaph, 'Here lies one whose name was writ in water'. Which is why the Keats-Shelley Podcast called Adam Smyth, Professor of English Literature at Balliol College, Oxford, and an expert in Material Texts: or the study of people writing with weird things on weird surfaces.

Ep. 13 John Keats’ Bright Star read by heart with analysis

John Keats writing his last poem 'Bright star' on the Maria Crowther is one of the great myths of the poet's tragic last months. Inspired by retracing Keats' Final Journey on Google Earth, we ask: what if were true? How might it change our reading of one of his greatest sonnets? As part of our limbering up, we learned the poem by heart and recorded the results...